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Film Review: McKellen: Playing the Part

Director:   Joe Stephenson

Cast:   Ian McKellen, Frances Barber, Adam Brown, Scott Chambers, Penny Clapcott, Luke Evans, David Foxxe, Sean Mathias, Milo Parker, Edward Petherbridge, Martin Sherman, Malcolm Sinclair, Morgan Watkins

Rating:   M

Running Time:   96

Australian Distributor:   Icon Films

 

A veteran star of both stage and screen, Sir Ian McKellen holds multigenerational appeal, from his Shakespearean work to more current, box-office guises as Gandalf and Magneto. Joe Stephenson’s docu-portrait, McKellen: Playing the Part, runs the gamut of what has been an illustrious career, while also taking in the actor’s gay activism.   

With the camera trained on its subject, a one-sided ’fireside chat’ format largely relies on the actor’s narration. This was a smart move; McKellen is warm and unpretentious, and, such is his eloquence, one feels like one is in the room with him. Complementing his storytelling is an abundance of archive material along with some excellent dramatic recreations—the latter, impressively, feel like authentic footage— which punctuate the chapters of his life.

His frank self-analysis offers some fascinating insight into both his career trajectory and opinion of himself—he feels he was not very good as Magneto—while a refreshing honesty reveals discomfort with modern green-screen filmmaking. A particularly telling clip shows McKellen expressing his dismay to Peter Jackson that he doesn’t know the context of the scene he’s being directed in. The answer, that “it doesn’t matter”, did not satisfy him.   

Built around a 14-hour interview and cut down to just over 90 minutes, Stephenson’s project was in real danger of imbalance. Luckily, a skilled edit ensures the pace is consistent and the result is engrossing. There are few actors who could be as engaging as McKellen when simply talking about himself. McKellen: Playing the Part is an intriguing watch for both fans of McKellen and those interested in an experienced actor’s perspective as a whole.

 

 






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