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Screen Australia’s latest funding announcements

FUNDED TELEVISION DRAMA PROJECTS INCLUDE:

  • Streaming service Stan has commissioned its next original series titled Bloom. This supernatural 6 x 60 minute drama will be produced alongside Playmaker Media and written by Glen Dolman (High Life) with John Curran (Chappaquiddick, Tracks) directing. The series will centre on a small Victorian country town recently devastated by flood. When a strange plant appears that has the power to restore youth, the rejuvenated townsfolk must face the consequences of their new found youth and amend their deepest life regret. Film Victoria are invested in the production.
  • ‘The Kates’ (McCartney and McLennan) will return to the ABC with a second season of their satirical morning television show Get Krack!n. Produced by Tamasin Simpkin and Antje Kulpe, and executive produced by Token’s Kevin Whyte (Please Like Me, Rosehaven, The Katering Show), season two of the series will be 8 x 25 minutes and continue to build on its commitment to encourage diversity in the writers room. Film Victoria are also on board to support the second season.
  • Rebecca Summerton and Sophie Hyde, the producer and directing duo behind Closer Productions have teamed up with a new drama series for SBS, The Hunt. The series will be Closer Productions’ first long form television drama project with Sophie Hyde directing and Matthew Cormack (52 Tuesdays) and Niki Aken (The Secret Daughter) on board to write. The 4 x 54 minute female-centric drama centres on two high school teachers who discover students are sharing explicit photos of their underage friends and peers – a revelation that puts unbearable stress on the tightly woven lives of four teenagers and their families. South Australian Film Corporation has also invested in the series.
  • Network Ten alongside the experienced television production company Screentime are set to bring audiences the juicy new 8 x 46 minute drama series Playing for Keeps. The plot is set to follow the male-dominated world of a football club where the real power is with the women. The creative team including writers Claire Phillips and Christine Bartlett are experienced in creating strong female-led dramas having worked on successful series Offspring and The Wrong Girl. Film Victoria have also invested in the production.
  • Aquarius Films (Lion, Berlin Syndrome) will make their foray into children’s television with the highly anticipated tween series, The Unlisted. This 15 x 26 minute series, created by Justine Flynn, has a team of nine writers including Mithila Gupta, Timothy Lee, Tristram Baumber, Jane Allen and Greg Waters. Confirmed directors include Rhys Graham and Corrie Chen. This highly experienced team aim to create a smart action series for children.

 

FUNDED FEATURE FILM PROJECTS INCLUDE:

  • Nick Batzias of Good Thing Productions (That Sugar Film, Save Your Legs!) has teamed with Veronica Gleeson and Kate Neylon to produce emerging director Maziar Lahooti’s first feature film Below. Set in a near-future Australia, Below tells the story of Dougie, a darknet grifter who enters a world of corruption and blackmail in a detention centre called Newhaven. Renowned Australian playwright Ian Wilding has penned the screenplay, with Screen West and MIFF Premiere Fund on board too.
  • Kriv Stenders, the director of Australian classic Red Dog has just wrapped up shooting his next project Danger Close: The Battle of Long Tan. The film tells the true story of 108 young and inexperienced Australian and New Zealand soldiers who held off an enemy force of 2,500 North Vietnamese and Main Force Viet Cong soldiers in South Vietnam 1966. Travis Fimmel (Vikings, Warcraft) and Richard Roxburgh (Breath, Moulin Rouge) star with the team behind Deadline Gallipoli producing this exciting new war epic. Screen Australia now joins Screen Queensland on the project.
  • The Dry will be an adaptation of the bestselling and award-winning debut novel by Jane Harper of the same name. Powerhouse producers Bruna Papandrea (Big Little Lies), Jodi Matterson (Down Under) and Steve Hutensky (The Nightingale) are on board alongside Australian director Robert Connolly (Balibo, Paper Planes, The Turning) and writer Harry Cripps (Paws, Willfull). The marquee creative team is set to deliver a high concept murder mystery as an Australian Outback noir.
  • Rams is an English-language adaptation of the successful Icelandic film Hrútar, which won the 2015 Un Certain Regard award at Cannes Film Festival. The film has been adapted by Western Australian screenwriter Jules Duncan and will be produced by Janelle Landers and Aidan O’Bryan from WBMC (Wasted on the Young, Son of a Gun). Jeremy Sims is directing the film which tells the story of two feuding brothers on adjoining sheep farms who must find a way to work together to save their small town and their family’s legacy. The film is being distributed in Australia by Roadshow and WestEnd Films is handling worldwide sales.
  • Acclaimed indie production company Carver (Partisan, Snowtown, Sunshine) will begin working on their next feature film Relic. Relic is a psychological horror about three generations of women – daughter, mother and grandmother – who are haunted by a manifestation of aged dementia that is taking over their family home. It marks the feature directorial debut of Natalie Erika James (Creswick, Tritch) who has co-written the script with Christian White. Relic is the second Gender Matters Brilliant Stories developed feature to go into production, and will unite a strong female cast and crew with Film Victoria also providing funding, and two major US partners to be announced with the cast.
  • Feature film producers Michael Pontin and Jamie Hilton have received completion funding for their latest film Standing Up For Sunny. Written and directed by Steve Vidler (Blackrock), this charming film is set within the stand-up comedy scene. Starring internationally acclaimed actor RJ Mitte (Breaking Bad) and Australian star Philippa Northeast (Home & Away), the film centres on the challenges of finding acceptance when living with a disability. The film has also received support from Headgear Films, Spectrum Films, Create NSW and VA Digital Hire.

 

 

 






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